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    • ISSUE 14: THE TOWER PROJECT OR "THIS ARCHITECTURE WHICH IS NOT ONE"
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    • ISSUE 25: FWD FWD FWD
    • ISSUE 26: MAJOR PROJECT AS PRACTICE W/ PAUL VAN HERK
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    • ISSUE 35: ON READING & WRITING: MORE QUESTIONS THAN ANSWERS
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  • WEEK 01: THE FUTURE OF NOW, YESTERDAY
    • ISSUE 01: DO MACHINES HAVE ORGASMS?
    • ISSUE 02: THE MELBOURNE UGLINESS
    • ISSUE 03: WELCOME CLASS...
  • WEEK 02: STRAWMAN
    • ISSUE 04: A THESIS ON THE OPERATION OF ROTATION IN HIMSELF'S LIBRARY WITHIN THE POST-NUMERICAL CULTURE OF LATE-CAPITALIST SOCIETY
    • ISSUE 05: HOW TO TALK DIRTY WITHOUT FEELING RIDICULOUS
    • ISSUE 06: PUBLIC ANNOUNCEMENT
  • WEEK 03: SORRY, NOT SORRY
    • ISSUE 07: KNOW [YOUR] PLACE
    • ISSUE 08: AFTER JUNKSPACE
    • ISSUE 09: WHERE AM 'I'?
    • ISSUE 10: THE BENEFACTOR
  • WEEK 04: THE BODY POLITIC PART i
    • ISSUE 11: LET'S GET CRITICAL
    • ISSUE 12: MAJOR PROJECT AS PRACTICE W/ ANTHONY IP
    • ISSUE 13: BODY POLITICS
  • WEEK 05: THE BODY POLITIC PART ii
    • ISSUE 14: THE TOWER PROJECT OR "THIS ARCHITECTURE WHICH IS NOT ONE"
    • ISSUE 15: MOVE TO BEIJING...NOW!
    • ISSUE 16: NO MORE MASTERS
  • WEEK 06: CIVIL/UNCIVIL
    • ISSUE 17: SMILE TO YOUR BAD LUCK
    • ISSUE 18: #MAKE IT YOURS
    • ISSUE 19: HI ROBERT
    • ISSUE 20: ON SPRINGVALE
    • ISSUE 21: MELTING POT
  • WEEK 07: HAUNTED
    • ISSUE 22: STONE TAPE
    • ISSUE 23: WELCOME TO RINGWOOD
    • ISSUE 24: RECIPE FOR A MALL OF REMEMBRANCE
  • WEEK 08: THE THIN LINE
    • ISSUE 25: FWD FWD FWD
    • ISSUE 26: MAJOR PROJECT AS PRACTICE W/ PAUL VAN HERK
    • ISSUE 27: ONE+
    • ISSUE 28: A FOR ARCHITECTURE
    • ISSUE 29: ETUDE TO MEDIOCRACY
  • WEEK 09: C IS FOR C***CAT
    • ISSUE 30: GO SELF YOUR SELF
    • ISSUE 31: AUTHENTICITY NOW; BUILD + EAT
    • ISSUE 32-34: CONGRATULATIONS
  • WEEK 10: MISSING FROM THE CANON
    • ISSUE 35: ON READING & WRITING: MORE QUESTIONS THAN ANSWERS
    • ISSUE 36: MERCHANT BUILDERS/CLAIRE SCORPO
    • ISSUE 37: BEVERLEY HILLS - HOWARD RATCLIFFE LAWSON "THE ARCHITECT WHO BUILDS"
  • WEEK 11: DETAIL - NAKED AND NAUGHTY
    • ISSUE 38: MAJOR PROJECT AS PRACTICE W/ DHARMAN GERSCH
    • ISSUE 39-40: REVENGE ON RED TAPE
    • ISSUE 41: RED TAPE LETTER
  • WEEK 12: DIY LEMONS
    • ISSUE 42-44: #BRUTALIST FILTER
    • ISSUE 45: SHOP THE CITY
    • ISSUE 46: WE CAN BE MORE THAN FRIENDS
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ISSUE 20_ON SPRINGVALE
        _BY KELVIN URBINA

_SUBJECTS_ #SPRINGVALE
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DEAR ARCHITECTURE SCHOOL...
​Memory of Springvale is accompanied by maniacal laughter in my head. Trying to grasp the essence of the south-eastern suburb
of Springvale is like dancing with a mop; not pretty but strangely satisfying.
Springvale has the most
charming open water drains, on Sunday mornings there is often a relentless
buzzing from the car races at
Sandown Park and on humid
days if your lucky and the
wind is just right, a fragrant
smell from the old rubbish
tip rolls through the town.
There were inevitable adventures and misadventures that growing
up in Springvale occasioned. There were the chromers in the park
that had to be circumnavigated in order to get to the playground or
there was the fortune of finding 5 cents in the alleyway behind the
smash repair place. One particular highlight was the week that the
garbage collectors went on strike and shoppers at the center had to
trek, shin-deep, through plastic bags. Then, of course, there is the
guy who dresses like a cowboy (hat and all) and walks up and down
the main road and another who dons a beanie, khaki coloured polo
tops and pants and is known to rant. For a brief period of time there
was that guy who would stand outside the bank and ask for 50 cents,
he would then scoff at your coin but take it anyway. I miss that guy.
Every suburb has that one totem that embodies the spirit of the
area, and for Springvale it is the greying corrugated iron tower thatlooms over the railway track and coincidentally marks the centre of
the district. It is something straight out of the industrial revolution era; a confused time-traveller. It has been there for as long as living memory serves and no one seems to know what it is used for; its ugliness surpassed by its mysteriousness. Over the years imagination has given it a variety of guises. For the child it was a ruinous castle
completed with collapse timber staircase and in my teens it was a drug lab. Now, in the insensitivity of adulthood it is invisible on
alternate days.
For Springvale it marks where the sun sets and at sunrise it glows as if the walls were made of white feathers. At night it just broods eerily and seems to chuckle at the shadows. A view between two brick flats a few streets away captures a majestic quality, almost cocky, that it will outlast the town itself.
The building captures the soul of Springvale not just because of its dagginess but it represents a cheeky spirit in the face of change. The suburb itself is changing, the powers be envision a new Springvale
- flashy and live-able. A makeover is in progress and consequently a reconditioning of the Genius Loci. This corrugated iron building however, like the personalities that inhabit Springvale; like the cowboy and the misadventures, symbolizes that undefined insanity that keeps the place alive. And although it may someday be a given
a new suit to wear, that enigmatic building’s existence to this day is reassuring that you cannot fully kill the daggy.
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